The initial spark for A Blessing on the Moon happened a decade ago when composer and folk musician Andy Teirstein walked into a bookshop in New York and saw a novel of that title.
Azam Ali has one of the most distinctive voices in world music—haunting, ancient-sounding, and gorgeously dark. But it was never the Iranian-born artist’s intention to become a singer.
With more than 50 albums to their name, five Grammy awards, and a large base of die-hard fans spread around the world, something has been going very right for the Swingle Singers for a long time.
There’s a change in the air for many beer drinkers, and you can smell it this summer in the fresh herby, piney, fruity, floral, and earthy aromas wafting from bars and patios. Hops are on the rise.
After recently touring with them in Asia and the U.S., Valdes is bringing four colleagues to Vancouver to record his debut solo album live at the Cellar Restaurant and Jazz Club.
It’s hard to find anything written about flamenco that doesn’t include the words passion and fire. But there’s another side of flamenco that gets overlooked.
For her full-length contemporary-dance piece Fragments, Lara Kramer drew on the experiences of aboriginal children forcibly committed to Indian residential schools.
After years of returning regularly to her homeland of Iran to study Persian classical music and learn its repertoire from the masters, Mamak Khadem came to realize that she wanted to be more than a vocalist in the traditional mould.
Checking out the videos and publicity shots for U.S. acoustic roots act Red Molly, you’d be forgiven for thinking the group’s name refers to dobro player and guitarist Abbie Gardner.
Joaquin Ayala of Winter Harp performs on a menagerie of strange musical instruments from medieval times, and none is more archaic than the monstrous organistrum.
Songwriter and guitarist Charlie Winston isn’t the kind of English bloke who stands on decorum or flinches from stark reality and uncomfortable truth.
Vancouver dancer and choreographer Karen Pitkethly has taken the basic outline of William Shakespeare’s Romeo and Juliet and set it in the Mexico of a hundred years ago, incorporating flamenco dancers, singers, and musicians.
Ruth Moody is at pains to make clear that having released her solo debut, The Garden, this summer doesn’t mean she’s frustrated being a member of the Wailin’ Jennys.
Vancouver’s fifth edition of the Memory Festival explores individual and collective narratives in all their irony, subtlety, and rawness, as a creative and healing process.
English composer Orlando Gough’s new work, specially commissioned by Fretwork, intriguingly juxtaposed and sometimes integrated Elizabethan songs with his own contemporary classical music.