On the stark white walls of Gastown's mooncruise gallery hangs
one of photo-artist Jean-Frédéric Bourdier's abstracted urban
landscapes: an ethereal detail of a swimming pool's modernist
tiles. Below it, displayed on a white shelf, sits a single shoe:
a sky-blue patent-leather clog by Sweden's Skåre Toffelin. Both
are treated like fine art, and that's the point. Vancouver's
newest boutiques are doubling as exhibit spaces, and they're
curating the apparel as much as the framed pictures.
Gastown and Main Street's style hubs are seeing a small
explosion of the gallery/fashion fusions that have thrived in the
cooler neighbourhoods of New York and Europe for years. Dadabase
and its attached Xeno Gallery (183 East Broadway) was one of the
early entries on the scene; now stores like mooncruise gallery
(235 Cambie Street), Urbanity (207 Abbott Street), and Lark (152
East 8th Avenue) are putting their own spin on the concept. In
each case, the clothing and the art combine to reflect a look and
a lifestyle.
"I'm very careful about what fits together. It has to match
the store," explains Claudia Schulz, who recently opened
mooncruise with her partner in life and business, photographer
Trevor Brady. She says customers seem to appreciate the editing
that goes into the sparse collection she showcases in an
expansive second-floor heritage studio. "Sometimes stores are too
overcrowded. Here it's very uncluttered, and you can focus on a
piece," she enthuses, leaning on a space-agey white counter.
The boutique's genesis as an art gallery-cum-clothing and gift
store seems natural enough, considering it actually grew out of
the couple's on-line photo-art zine, also called mooncruise. But
the idea of melding functions also emerged from their frequent
travels to Schulz's home city of Berlin, where many stores
multitask.
She adds that, on the practical side, the boutique helps make
exhibiting art more financially feasible: "It may be just out of
necessity: it would be hard to live off just the photo-gallery
part."
Bourdier's dreamy shots, from the gleaming-metal details of
patio chairs to repeating grocery-store rows of Evian bottles,
seem custom-made to pick up on the lines and colours of many of
the apparel items. Mooncruise's Vancouver contingent includes
Chulo Pony's tiered screen-print skirts; Hunt and Gather's
scalloped denim aprons, sleek jumpers, and holster-style purses;
and Schulz's own line of felt creations, from whimsical hats with
earflaps to necklaces strung with fuzzy balls. From abroad, there
are Hey-Sign felt bags, boxes, notebooks, and photo albums in
vibrant fashion hues; clothing by Moscow's art point, with
cigarette skirts, blouses, and other pieces set off by
silk-screen prints of the Russian alphabet; and German Kultbag
totes made from recycled tarps, seat belting, or Bundeswehr
blanketing.
And then, of course, there are those clogs, which also come in
lipstick red and bright, leafy green. For Schulz, they hit the
right balance of ultramodern Euro style and the timeless good
design she so values: "I grew up with clogs. A pair of clogs is
fashion that will never die out."
Across town, on a hip little block of 8th Avenue off Main
Street, the folks at Lark had no intention of ever hanging art in
their clothing store. "We thought maintaining a show every month
was a lot of work and with starting a new business we had enough
on our hands," explains Veronika Baspaly, who runs the
six-month-old shop with her husband, Dane.
But the artwork just seemed a natural fit-or perhaps the ghost
of the old building was just imposing itself; the address, as it
turns out, used to be a gallery. The Baspalys, who sell lifestyle
items other than clothes (including bocce sets), decided to carry
Sketchbook, a new anthology of illo art by people in the local
gaming industry. To promote it, they organized an opening exhibit
and suddenly realized hanging pieces on their walls wasn't the
hassle they'd expected.
After all, the men's and women's clothing in the shop is all
artful-cool without being contrived, unique and crisply simple.
Here, too, the mix is sourced locally and abroad. The sleek
Danish men's line Kudo hangs alongside sculptural, serene women's
clothes by Vancouver's Kulpa; funky underwear by this city's
Ginch Gonch joins recycled-skateboard bags and belt buckles by
New York's Beck(y). "For us it doesn't matter where it's from; it
just has to be good. I don't see why local brands can't compete
with international brands," Baspaly says. She feels the art
reflects the same criteria: the animation sketches by the
Sketchbook guys at first seem to have little in common with the
next show, opening in September, of photos by Angela Fama. "The
quality of the work is really important and we look for things
that are really clean in line and shape," she says.
In the end, everyone wins with the gallery/store combo:
artists gain an audience, fashionistas gain an aesthetic
appreciation, and Vancouver becomes a more cosmopolitan
place.