Thomas Allen Publishers, 104 pp, $19.95, hardcover.
Like the short stories of Jorge Luis Borges, Alberto Manguel's
With Borges is almost perfect in its brevity (almost only because
of the annoying typos and spelling mistakes). But, as with
Borges, brevity in this case doesn't mean simplicity. In fewer
than 100 narrow pages, many of them with Sara Facio's evocative
photographs, Manguel manages to echo the complexity of his fellow
Argentinean's labyrinthine tales, with their blending of fact and
fiction, mysticism and mathematics. With Borges does not include
fiction (although the conversations are based on memories of a
time long past), but it does combine memoir, biography, and
reflections on the works of Borges and of the writers he admired
to create an intimate portrait of this enigmatic writer.
Manguel, who is now a Canadian, encountered Borges in 1964,
when the writer asked the 16-year-old bookstore clerk if he would
read to him three or four evenings a week. Borges, in his
mid-60s, had been blind since his late 50s and had a number of
people who would read to him, "minor Boswells whose identities
are rarely known to one another but who collectively hold the
memory of one of the world's great readers". Manguel writes that
he did not at the time consider the experience a privilege but
found it enjoyable and satisfying: "I didn't take notes because
during those evenings I felt too contented."
Visiting Borges's Buenos Aires home was like peering into the
mind of the writer. Borges has described in interviews two
incidents "of timelessness, of eternity" that affected much of
his work, and Manguel finds that "Borges's apartment seemed to me
to exist outside time, or rather, in a time made up of Borges's
literary experiences."
Now, Manguel realizes what an extraordinary opportunity it
was. "His concern was literature, and no writer, in this
vociferous century, was as important in changing our relationship
to literature as he was," Manguel writes, a statement that the
always-modest Borges would have rejected.
For those who enjoy the written word, and especially for those
who enjoy the fantastic writing of Borges, Manguel's book is
confirmation of the pleasure that words can bring, whether to one
of the greatest readers and writers of the 20th century or to a
young man who would become one of Canada's most acclaimed
writers.