Michael Healey’s controversial play, Proud, gets a reading in Vancouver
Vancouver theatregoers will have a chance to experience Michael Healey’s much-talked-about play about a certain Canadian prime minister.
A reading of Proud is being staged by a group of local theatre companies following a controversial decision by Toronto’s Tarragon Theatre to pass on programming the satirical play. The decision by Tarragon prompted Healey to split from the theatre company earlier this year after more than a decade there as a writer-in-residence.
The play is focused on a central, domineering character known simply as the Prime Minister. The character is not named in the script but bears much more than a passing resemblance to Canada’s current top political leader. Readings have been staged across Canada recently by a variety of groups who support Healey.
The award-winning playwright has told media the play was turned down after a Tarragon board member raised concerns it could potentially defame Prime Minister Stephen Harper. However, Tarragon’s artistic director, Richard Rose, has declined to publicly explain the decision. No one from Tarragon was available to comment.
The Proud saga has unfolded amid worries over the relationship between the federal government and the country’s arts community. Toronto’s SummerWorks festival had federal grant funding cancelled last year and then restored this year after staging a play about terrorism that was criticized by the Stephen Harper-led government.
The issue resonates with David Bloom, co-artistic director of Vancouver theatre company Felix Culpa and director of the upcoming reading of Proud. He said mounting the reading of Healey’s play gives local theatre groups a chance to speak up.
“The biggest danger in the arts is not that the government’s going to come in and stomp on us for stuff that we do—I don’t think we’re at that point in this country—but I do think that we’re quite capable of censoring ourselves for fear of subtle payback,” Bloom told the Straight by phone.
Bloom described Proud as an entertaining and provocative script, saying Healey offers a nuanced take on the Prime Minister and “not just a hatchet job”.
“It’s really nice to be able to do a work that is actually about what’s happening in this country right now, to get people thinking. Certainly one of the reasons why I like to do theatre is to get people thinking and I think this play is very capable of that,” he said.
The play is being presented by Felix Culpa, Neworld Theatre, Touchstone Theatre, Arts Club Theatre Company, Leaky Heaven Circus, Playwrights Theatre Centre, Compassionate Bone Theatre, Horseshoes & Hand Grenades Theatre, Ruby Slippers Theatre, and Pi Theatre. Local theatre stars John Cassini, Tom McBeath, Gaelan Beatty, and Quelemia Sparrow are also lending their talent as performers for the reading.
The performance takes place at Progress Lab 1422 (1422 William Street) on Sunday (July 22) at 8 p.m. Admission is by donation and seats can be reserved by emailing proudvancouver@gmail.com.






But a scathing critique of the Prime Minister put on stage? Yawn. How boring. How trivial. How petty. How arrogant. How stuck-up.
We need art, we need beauty, like we need oxygen to breathe. Art as promo for some shallow political propaganda is usually not art at all. A play attacking Harper! How profound, how universal, how soul-searching, how deep, right? When is the play about the Senate? Where is the art about the Defense Minister?
Quote: “It’s really nice to be able to do a work that is actually about what’s happening in this country right now, to get people thinking. Certainly one of the reasons why I like to do theatre is to get people thinking and I think this play is very capable of that,” he said.
To get people thinking.
The artists' job - to get people thinking about why they should be ashamed of themselves for having voted for the Conservatives.
I do not ask artists to "get me thinking" about an obscure politician in between election cycles.
http://parkinsonsdance.blogspot.com/2005/07/chapter-47.html
but, as with Milton, the art was there; the passion was there. it was not talking points slightly to the left on policies. It was not a lecture about voting patterns, or grants to the arts. Or about plastic bags. It was not campaign posters. It was not artists mistaking themselves to be the village priest pointing the moral finger at those who ignore the collection plate tp buy thenew hymn books... who should i vote for\?
Well, to us, Stompin' Tom was the cat's pajamas.
We are red-neck hillbillies.
But some folks at the top said they don't want no hillbillies on the CBC. Well, okay, enjoy Justin Bieber.
Stompin' Tom is everyone's "cat's pajamas".
Stompin' Tom is one and perhaps the only thing all Canadians can agree on.
(except the new breed at cbc)
He's great, the Rockies are big, the Pacific is wide...etc. No arguments.
I am feeling better already