PuSh Festival

Makaila Wallace is celebrating 10 years at Ballet B.C. this season, and it’s arguably been one of the most tumultuous and artistically varied decades in its history.
Singer-songwriter Hawksley Workman and director Christian Barry are billing their music-theatre collaboration The God That Comes as a work in progress.
King Lear is not the sort of fare you’d expect from the edgy, experimental programming favoured by the
A Crack in Everything is a surreal dance spectacle that warps time and perspective.
Imagine putting on a blindfold and letting a complete stranger guide you through the city for two hours, into spaces both public and private.
If it sounds like Photog is carrying a heavy burden on its somewhat untested shoulders, well, it is.
Jacob Richmond’s Ride the Cyclone just may take him all the way from his hometown of Victoria to New York City.
From the late ’70s to the mid ’80s public-access television in Winnipeg was experiencing a golden age of DIY TV.
The eight annual PuSh Fest had 27 sold-out shows and average house capacity of 80 percent.