Visual Arts Reviews

The 350 new grads represented in the degree exhibition are emerging out of both bachelor’s and master’s programs, across the disciplines of design, fine arts, and media arts.
Alison Klayman’s artfully constructed doc raises all kinds of questions, especially about the meaning of art and artistic freedom in the technological age.
The Emily Carr University graduate's exhibit at Trench Contemporary Art inevitably call up the human body in all its sexuality and viscerality, absurdity and vulnerability.
In her mixed-media collages and oil paintings, the Vancouver artist focuses on the female form to address how women are being watched and objectified.
The Audain Gallery at the Museum of Anthropology has created a comprehensive retrospective on one of the Northwest Coast’s most distinguished artists.
Michelle Allard's Confection and Khan Lee's beyond focus on patterns, repetition, found objects, and everyday materials.
The Belkin Gallery show consists of a series of thematically linked works by Michael Morris, including a selection of visual poems executed in ink on paper.
The 88 works on view in Lights Out!—all but one drawn from the gallery’s permanent collection—demonstrate the vitality of the painting medium, even as it was being challenged by new forms such as conceptualism, video, installation, performance, and interdisciplinary art.
The art of Graham Gilmore, Bratsa Bonifacho, and Enn Erisalu is somewhere between visual and verbal.
Walk into the main floor exhibition space of the Burnaby Art Gallery and you are confronted with an image of a starkly modernist interior.