The artist has employed beauty as a way of countering the negative and embodying a future for each girl she depicts.
Much of the strength of this exhibition at the Richmond Art Gallery lies in the existential power of the black ovoid.
The renowned artist tells Haida tales through a combination of Japanese manga and Chinese brush-painting techniques.
This amazing survey of historical photographs echoes with everything from environmental issues to the colonial impact on indigenous peoples.
These pieces by artists from the Sepik River region echo the impact of local resource exploitation.
An interesting subtheme emerges here: the important, if not always acknowledged, role women played in the development of collage and photomontage techniques.
Beauty and drama are two of the tools this artist uses to demolish cultural stereotypes of indigenous women.
The South Korean artist’s practice uses humour and surreal inversion to explore the nature of perception.
The dreamlike disjunctions in Manumie’s art may perhaps be linked to the disruptions of his early life.
Laura Piasta wields a vibrant array of materials in a provocative look at the link between objects and ideas.