D.O.A. goes out on a triumphant note

As funerals go, there was no need for tears at the first of two farewell shows for D.O.A. at the Rickshaw. A capacity crowd showed up Friday to say goodbye to Joe Keithley’s iconic punk band. Nice to see the curtains lifted and the venue packed– upstairs and down – for a local show.

The run-up to D.O.A. taking the stage was steeped in politics, with a recording of Keithley reading a speech that could easily have prefaced a show by the MC5: “Are you on the side of joy, or are you on the side of fear, doubt, confusion, sexism, racism…? I want you to come on over! Come on over to freedom…!” 

Once they plugged in, it took Keithley, bassist “Dirty” Dan Yaremko, and drummer FloorTom Jones a few songs—“New Age,” “He’s Got a Gun”, and “World War 3”—to find their stride. Jones had a bit of a rough time capturing the flavour of that last song’s complex rhythms. By the fourth number in, “Human Bomb”, D.O.A. found a way in, with kids moshing furiously to new numbers as well as old. A slightly sped-up “2+2” was followed by “Slumlord”.  

Then came “I’m Right You’re Wrong”, off Keithley’s favourite D.O.A. release, War on 45, the band eventually trotting out almost the entire EP, including the Dils’ “Class War”.

Some poor schmuck kept trying to crowd-surf from a standing start in the pit, then tried to stage-dive when the band wasn’t actually playing; alcohol and moshing can be a bad combination.

Yaremko has nothing on legendary former D.O.A. bassist Randy Rampage for charisma, but he more than proved his talent as a bassist during a super-cool cover of the Wailing Souls’ “War in the East”, with Jones imitating dubby drum effects and Joe adding echo to his guitar and vocals. Yaremko also graciously shook hands with Rampage, '80s-era bassist Wimpy Roy, and other members of D.O.A. who appeared on-stage over the course of the evening. He also shared the mike with Keithley’s son Clayton, who did backup vocals on “The Prisoner” near the end of the main set.

The sprawling encore saw J.J. Heath, Jesse Pinner, Wimpy Roy, Rampage, Zippy Pinhead, and an ebullient, bouncy Ford Pier getting on-stage with Keithley, whose energy flagged not once. After powering through “I Hate You”, with Wimpy on background vocals, Keithley gave a little pro-decriminalization speech before “Marijuana Motherfucker”, followed by “The Enemy”. At one point, Wimpy Roy, Keithley, and Pier all were lying flat on their backs, air-cycling as they played their instruments, old friends having an immense amount of fun together, and a delight to watch.

The highlight of the encore was an unexpected one. Rampage got on-stage to do a lead vocal on one of D.O.A.’s ruder tunes, “Thirteen”. Rampage described Joe as a “man who has been putting his heart and soul into music for 35 years” and encouraged the audience to “give the man a fuckin’ hand.”

As the night drew to a close, Keithley dedicated “Fucked Up Ronnie” to Ronald Reagan (“You may be dead but you’re still fucked up!”) and led a second lengthy encore of “Takin’ Care of Business” and “Fuck You”, with Wimpy Roy on bass. Things ended with “Disco Sucks”, the song that first made the band notorious. “It was $16 to get in, but it’s gonna be 50 to get out,” Joe said at one point, clearly relishing his time on-stage.

“One last thing I want to tellya,” he growled at the end. “Together we can, together we will, together we must make this world into a better place than it is now. Thanks. We’re D.O.A.” 

Openers the Fierce Creep bassist said it all: “Give it up for Joey Shithead. We’re all going to move to Coquitlam and vote for him, aren’t we?” Hooky but sick bass lines played at speeds reminiscent of Flipper’s faster tunes (i.e., “not that fast”) gave the band an almost funky, nu-metal groove, but overall their songs were in KBD classic-punk mode, with a measure of no-wave ugliness thrown in. The female vocalist looked a bit like Sissy Spacek when she was at her youthful, waifish peak; at one time it might have been surprising to see people so wholesome and well-adjusted-looking in the audience at a punk show, let alone up on-stage. Guess punk isn’t just the music of malcontents and outsiders anymore.

Rampage’s new unit, with Zippy Pinhead on drums and two younger guys covering guitar and bass duties, upped the ugliness, and also the KBD factor; even their half-dozen original tunes were so steeped in classic '70s proto-punk (with an undeniable dollop of cock rock) that they sounded like covers of songs just obscure enough that you couldn’t put your finger on them (“Is this by the Nervous Eaters?”). Not that Rampage—in leather, bass-free, and whipping his long blond hair like K.K. Downing—didn’t offer a few covers as well.

Some idiot in the pit who looked a lot like me let out a throat-ripping cheer as the band kicked into “Sonic Reducer”; Rampage had joked in the intro that “some” of the audience would be old enough to remember it.  The band also did Gerry Hannah’s timeless anthems “Slave to My Dick” and “Fuck You”—the first of two performances of that song during the night, this one with added background yelps from a former bandmate of Rampage’s, Heather Haley, standing in the audience. A Negative Trend song dedicated to Will Shatter also featured. Rampage’s voice sounded surprisingly great—snotty, growly, and raw; too bad his band abstained from doing “Livin’ on Borrowed Time”—a Rampage classic from back in the day, and streamable on Rampage’s official site.

There were only maybe a handful of true first-generation Vancouver punks present, all of whom stayed well clear of the exuberant mosh pit, dominated by 20-somethings, male and female.

The Rebel Spell, soon to be the greatest punk band in Vancouver if the old folks keep retiring, opened with violins and keyboards for the title track of their newest album, It’s a Beautiful Future. The expanded instrumentation also came in handy for the Euro-folk introduction to “Uncontrollable”, their cover of Leon Rosselson’s “The World Turned Upside Down”, and a rare performance of their reggae tune “They Know”.

Todd Serious had a Mohawk with a free-flying ponytail, a style that suggested an aboriginal warrior. (He has no First Nations blood, he’s told me. He’s strictly of “colonizer” stock, but has a passion for self-determination, name-checking everyone from the Zapatistas to Wolverine—the Gustafsen Lake warrior, not the X-Men comic hero—in his songs.) Wretched Erin, the guitarist, had a more overt sexiness to her presentation than usual, with slits in her leggings and a strap falling from her lacy top during her more furious riffing.

Elliot of the SSRIs on bass now seems a full-fledged member, two years into his tenure with the band, while Stepha’s husband Travis filled in on drums, with Stepha sidelined in Lillooet with a sick dog, a baby to care for, and carpal tunnel syndrome from her job as a seamstress. The high point, at least in terms of stoking the pit, was likely the inclusion of former bassist Chris Rebel’s “December 8th, 1980”, an overpowering anti-Reaganite anthem about the conspiracy to assassinate John Lennon.  They may have had pamphlets on their merch table with titles like “Go Vegan Now” and “What’s Wrong With Leather”, but the seriousness of their politics never stops the Rebel Spell from being an immensely engaging live act.

Comments (12) Add New Comment
Tyler
Here's a super lame question, but how late did the show go? Around what time did Rebel Spell and DOA hit the stage? I badly want to go tonight, but tomorrow's 5am work shift might ruin these plans.
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Rating: -3
Elric of Oyama
Sounds like this was one of the more lively 'Farewell' gigs DOA has done over the past 25 years...
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Rating: +2
diz
I remember seeing joey shithead and the skulls somewhere on fourth avenue way back when. they are playing cumberland on thursday and i am hoping to make it. always loved their cover of edwin starrs' war. (yea "what is it good for? ABSOLUTELY NOTHIN'!!)
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Rating: -4
A. MacInnis
Tyler - the show went til the Rickshaw curfew of 1am... and maybe a few minutes besides. But as I write this, you're probably either there or not, eh?

Woulda mentioned how great "I Live in a Car" and "Do Ya Wanna" were last night - the two best of the recent songs DOA did - but hell, I was writing this at 8am at a netcafe, hungover and sleepless... The reggae one off Northern Avenger was pretty great, too...

Joe Keithley is a heroic figure and the show was a fitting sendoff of a great Canadian band. If you're still vacillating about going to the Rickshaw as you read this, and it's before 11pm, cut it out and GO while you still can! Last Vancouver show ever (until the 40th anniversary reunion in 2018?).
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Rating: +5
Hansen
I saw D.O.A. for the first time in the summer of 1981 at the old Danceland USA at 1st & Pike in Seattle. Ever since that first show the band has been an important part of my life, we make a point of seeing the band whenever they make Seattle a stop on their tours. My brother and I made the trip from Seattle for Fridays show at the Rickshaw, a great performance by D.O.A. and was very impressed with Rebel Spell, damn good band that played a great set start to finish. I want to thank Joe and the D.O.A. alumni for providing the music that has always made us think, laugh, scream and take action. Joe is the Woodie Guthrie of our times and is indeed a hero. Thank you Joe, keep up the fight for peace & justice. Speak truth to power and just keep being you, we are all better for having crossed your path. Talk - Action = 0

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Rating: +8
Kranky Kanuk
Fantastic performance! It's energy and genius that Joe has in spades that's required in Victoria. Get out and help him in Coquitlam.
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Rating: -5
Alan Layton
I'm proud of Joe Keithley and DOA for putting Vancouver on the musical map and I also admire Joe for always sticking to his principles and for his compassion and empathy for the common person. But having said that, I don't think I'd ever vote for him. But the best of luck to his new life in politics.
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Rating: -10
Bill Morgan
It's too bad that there wasn't a full scale north american farewell tour so that everyone could have come out to say a proper goodbye to the legendary D.O.A.,you will be missed
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Rating: +4
Kevin
There kinda was. Saw them in Ottawa in October at Zaphod Beeblebrox and it was billed as the last tour (although we've heard that many times before from a gazillion bands). Great show.
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Rating: -16
Garry P
Cumberland was fantastic! Except for Nacho's broken leg. Doh!
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Rating: -10
A. MacInnis
The Victoria show last night was great, too. I think maybe the Rickshaw show was Floor Tom Jones (James Hayden's) first gig with DOA in awhile - I thought he was a bit off on one song when I wrote the above, but he gave Biscuits a run for his money with his drumming in Victoria - he just slayed "World War III," in particular. Plus there were a few treats NOT in the set on the 18th - especially "Unknown" and "Watcha Gonna Do?" Encore wasn't quite as long, no guests, and no "Takin' Care of Business," but it was still an awesome night... It was nice to not have to take notes!
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Rating: -7
A. MacInnis
Some outtakes from my DOA interview here, along with photos from the Vancouver show by bev.davies - http://www.bigtakeover.com/interviews/doa-calls-it-quits-a-joe-keithley-...
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Rating: -2
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