Replacements' documentary Color Me Obsessed tests your faith

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Color Me Obsessed features more than 120 devotees dishing on their favourite band, the Replacements, from the Decemberists’ Colin Meloy to actor George Wendt to handfuls of everyday music fans. Pretty well every aspect of the outfit’s drunken high jinks and heart-achingly awesome back catalogue is covered. The only thing that’s missing from the flick is, well, the band. None of the Minneapolis group’s members were interviewed for the feature, nor does it contain any tunes or live footage accumulated over the years.

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“I came up with this idea that’s like, ‘I don’t believe in God, but I believe in the Replacements,’” director Gorman Bechard explained to the Straight. “So many who believe in God, they read these stories in the Bible and you never see or hear God. Can I do a music documentary and have everyone tell the stories but never see or hear the band?”

Music lovers can see for themselves whether the formula works when Bechard arrives at the Waldorf Hotel to screen the feature on Friday (December 2). Following the film and a Q&A session, the evening will continue with performances from Defektors, among others. If all goes according to Bechard’s intended aesthetic, neither set should include covers of “Unsatisfied”, “Beer for Breakfast”, or the filmmaker’s favourite, “Here Comes a Regular”.


Watch a teaser for Color Me Obsessed.


Watch another teaser for Color Me Obsessed.

Comments (3) Add New Comment
A. MacInnis
One of the greater gigs I saw as a young man was the Replacements at the Town Pump. By the end of the night, the band was absolutely, totally shitfaced, swapping instruments (I recall Tommy on drums), and inviting a roadie to take the mike and sing what, if I recall correctly, was the Pabst Blue Ribbon theme ("from the land of sky blue waters..."). The energy was fantastic, the authenticity unquestionable, and the music fun throughout, if at times played a bit sloppily (I think that was on the Tim tour...). Priceless stuff... but then a few years later, with the carrot of major label success dangling in front of them, I saw them at the Commodore, where members of the band had on makeup, were sober, professional, and, while energetic, completely lacking the warmth or sincerity that marked the previous show. Those last years actually destroyed most of my fondness for the 'placemats - killed by the marketplace and their own ambitions; they're like a paradigm case of what capitalism can do to a band. In fact, so decisively did I get off the bus, I still haven't listened, even once, to All Shook Down... I just don't want to know, y'know?
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John Lucas
You're thinking of Hamm's: http://youtu.be/o83xxWCel8g

Damn, commercials were long back in the day.
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A. MacInnis
Oh, hell yes, Hamm's - crisp, clean-cut to the taste! ...thanks!

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