Theatre Reviews

HIVE 3 full of surprises

HIVE 3 full of surprises

By Colin Thomas | March 12, 2010
That’s it. Push me. Harder. The most rewarding shows at HIVE 3 are also the most challenging.
The Greatest Cities in the World emphasizes the shared through play

The Greatest Cities in the World emphasizes the shared through play

By Colin Thomas | March 10, 2010
There are several false endings in The Greatest Cities in the World, and all of them come too late.
Donald and Lenore makes for a long, slow night underground

Donald and Lenore makes for a long, slow night underground

By Colin Thomas | March 9, 2010
This tiki bar has seen better times.
Sex, spirituality grow in Paradise Garden

Sex, spirituality grow in Paradise Garden

By Colin Thomas | March 4, 2010
Sitting in her artist’s loft near Main Street, nibbling on olives and cheese, playwright Lucia Frangione says: “I seem to be drawn to investigate the relationship between spirituality and sexuality. There’s so much healing to be done there.”
Thereâs no denying the wit and emotional impact of Where the Blood Mixes

There’s no denying the wit and emotional impact of Where the Blood Mixes

By Colin Thomas | February 26, 2010
Again and again, Kevin Loring creates profoundly moving moments, and then wraps them in reassuringly earthy humour.
BASHâd: A Gay Rap Opera is brash and funny but seems like agitprop in search of a cause

BASH’d: A Gay Rap Opera is brash and funny but seems like agitprop in search of a cause

By Colin Thomas | February 18, 2010
BASH’d: A Gay Rap Opera feels like a gay newspaper comic strip that’s been brought to life.
Fear of Flight is beautifully put together

Fear of Flight is beautifully put together

By Colin Thomas | February 12, 2010
I won’t tell you whether the plane crashes, but I will tell you that it took me a while to come down after seeing Fear of Flight.
Dance Marathon is a sweaty, trippy party

Dance Marathon is a sweaty, trippy party

By Colin Thomas | February 11, 2010
You won’t get home on the same bus ticket you came down on—Dance Marathon ran about four hours the night I was there—but you won’t mind.
Monkey King is a carnivalesque fever dream

Monkey King is a carnivalesque fever dream

By Janet Smith | February 8, 2010
So, how did you spend last Sunday afternoon? I watched a monkey king do back flips across a stage to speed-metal guitars.
Robert Lepage's Blue Dragon has spectacular imagery, thin story

Robert Lepage's Blue Dragon has spectacular imagery, thin story

By Colin Thomas | February 5, 2010
The lavish stage pictures in The Blue Dragon will be enough for many viewers.
The significance of the Holocaust demands more than KAMP delivers

The significance of the Holocaust demands more than KAMP delivers

By Colin Thomas | February 4, 2010
Stylistically, this spectacle from the Dutch company Hotel Modern is innovative. KAMP’s thematic and interior worlds fail, however.
Thereâs a faintly glowing love story at the heart of the wintry, postapocalyptic NiX

There’s a faintly glowing love story at the heart of the wintry, postapocalyptic NiX

By Kathleen Oliver | February 1, 2010
Written and directed by Kendra Fanconi, NiX dazzles with its original and inventive staging.
Best Before's game gets dull

Best Before's game gets dull

By Colin Thomas | February 1, 2010
I enjoyed the charming, confident presence of the four hosts, all nonactors. But I kept waiting for Best Before to start.
The Passion Project is fleetingly pretty, but boring

The Passion Project is fleetingly pretty, but boring

By Colin Thomas | January 28, 2010
Yeah, yeah. Deconstruction. Whatever.
Jerk is disturbingâand pointless

Jerk is disturbing—and pointless

By Colin Thomas | January 25, 2010
Jerk is so disturbing—and pointless—that I wish I hadn’t seen it.