Buckman Coe

By the Mountain’s Feet (Independent)

Clearly not a man content to have just a single iron in the fire, Buckman Coe keeps plenty busy when he’s not on-stage or in the studio. In addition to being one of those artists who make genre-jumping seem effortless, he’s also, according to his Facebook page, a certified yogi, eco-psychologist, and poet.

If this were 1973, back when singer-songwriters ruled the earth, Coe wouldn’t have much time for side pursuits—with a couple of breaks and a bit of AM radio airplay, he’d be busy cashing gold-record royalty cheques and house-hunting in Laurel Canyon. If that sounds hyperbolic, it shouldn’t, because By the Mountain’s Feet, his second full-length, is really that good. Working with a supporting cast that includes Vancouver music-scene vets Brian Minato on bass, Steve Dawson on pedal steel, and Paul Rigby on guitars, Coe dabbles in everything from down-home Americana to sun-sweetened folk to soul-drenched blues.

Aside from the fact that the dude sounds completely thrilled and blessed to be alive, what stands out are the gorgeous little touches—like the calypso-tinted guitars in the lite-and-breezy “Not So Farfetched” and the molasses-dipped harmonies in the wonderful country comedown “Plot Thick It Grows”.

Because this isn’t 1973, Coe isn’t going to find a ready-made, built-in audience for By the Mountain’s Feet, which sounds like it was professionally recorded at the Record Plant three decades ago instead of in rainy old Vancouver in the 2010s. That’s a shame, because if you enjoy the laid-back likes of Ben Harper and Jack Johnson, odds are good that you’re going to love this unrelentingly positive, completely accomplished triumph.