In the 1946 comedy-dranma, a wealthy junk magnate arrives in Washington with an ex-showgirl.
In Michael Healey's play, a big-city actor's search for authenticity in rural Ontario uncovers a secret that uproots the pastoral façade.
Music by Alan Menken. Lyrics by Jack Feldman. Book by Harvey Fierstein. Directed and choreographed by Julie Tomaino.
It’s all thanks to director Shel Piercy’s deft, clever touches and a charming cast that elevates the source material with energy, enthusiasm, and heart.
Renegade Arts Co.'s production at Metro Theatre is fun, despite some technical problems and source-material sins.
Johnna Wright and Rohit Chokhani’s cultural reinvention doesn't totally eliminate the plot's inherent “ugh” factor, but it does showcase some excellent acting.
Ghazal Azarbad's Viola and Cory Sicennes's lovingly made Elizabethan costumes help make the festival's sole non-Shakespeare-written offering a memorable ode to love and art.
In her fun, Western-set adaptation, director Lois Anderson gleefully upends gendered notions of outlaws, gunslingers, and femininity.
The United Players of Vancouver bring delightful spirit to the darkly comic play.
Drag queen duo host an intimate evening discussing Vancouver's queer Indigenous history.
When the Fight With a Stick production fully evolves into a concert for its final 15 minutes, it’s a welcome jolt of energy.
As BFFs Gary and Desiree, Amanda Cordner gives the solo performance of a lifetime, embodying the characters with nuance and vulnerability.