It's a pleasant surprise to find a whole musical can emerge from a sole performer, thriving on the possibilities of pure imagination.
It pulls apart the affectations of gender, love, and war in brilliant ways, and has a fantastic time doing it.
On the surface, it would seem a propitious time for the Arts Club to launch its theatrical take on Afghan-American Khaled Hosseini’s best-selling novel, but the results are mixed.
There are a few truly great scenes in this story reframed as a family drama, and they come at the very end, when Joan faces death.
Troy Skog and Denyse Wilson make you believe that, instead of dying together in their youth, the duo has had a long and happy life.
Production embraces all the play's complicated pieces, gender-flips the title character, and showcases killer casting.
This creepily immersive ode to Edgar Allan Poe spreads across 20-plus rooms throughout the Cultch.
The songs are memorably macabre for fans of The Silence of the Lambs.
Two men form a hopeful friendship while challenging assumptions about racism in this Tracy Letts play.
In the 1946 comedy-drama, a wealthy junk magnate arrives in Washington with an ex-showgirl.
In Michael Healey's play, a big-city actor's search for authenticity in rural Ontario uncovers a secret that uproots the pastoral façade.
What’s most impressive and enjoyable is just how cohesively this cast comes together, particularly in the dance numbers.