The strong cast helps pull off an unconventional mix of live Sufjan Stevens songs, video-game antics, and family resentment.
Bad Hats Theatre's reimagined classic brings creative touches and a contemporary score to the story.
Pinocchio prods us to reconsider what’s important—namely, real connections with real people; families, no matter how dysfunctional or nontraditional; and the kind of whacked-out community Theatre Replacement’s annual gift celebrates each year.
Elaine Ávila’s musical focuses on an aspiring fado singer whose parents fled fascist Portugal for Canada's West Coast.
The Father marks the debut of Mindy Parfitt’s new theatre company, the Search Party, and what a gutsy, brilliant choice it is.
Anon is a difficult role, but Ashley Cook is a captivating lead actor.
Playful performances, handsome set design, and contemporary relevance help the beloved musical live up to its reputation.
One man tries to make sense of his life within the carnage of a senseless world.
Director Amiel Gladstone guides a quintet of seasoned performers through a sharp script.
URP’s production of American Idiot is a spectacular celebration of punk-rock band Green Day’s music, told through a high-energy, theatrical experience.
Structured as a mental-health review board hearing, the dynamically yet sensitively performed show is a comic breakdown of how she became "certified" eight times.
Carousel Theatre for Young People’s production also provides a few lessons in Cree, which is presented her as "the language of the mosquitoes".