Rodrigo John’s bravely experimental work features 11 years of footage, all shot from his high-rise apartment in Porto Alegre, Brazil. Think Rear Window if James Stewart’s protagonist were a filmmaker, and a man investigating not murder but things more insidious, more mysterious and, ultimately, more disturbing. Using a variety of vantage points, John gives us a continuous adventure of vision, taking us from beautiful downtown vistas to views that reveal ennui, destruction, and political menace…

Director: Rodrigo John

Runtime: 78 mins