Trinh T. Minh-ha, Reassemblage (film still), 1982. Courtesy of Women Make Movies.

Trinh T. Minh-ha: Reassemblage

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Galleries, Film

Cinematic techniques themselves are the subjects of Reassemblage. Treating film editing as a language, Trinh T. Minh-ha composes a rhythmic montage in which the repetition and discontinuity of audio-visual footage cohere into a new filmic genre that lies between poetry and theory, the essay and the anti-essay.

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