The B.C. artist's poetic, mystical touches find vivid new expression on film.
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This clever little item never meta noir it didn’t like.
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Some terrific acting brings needed flavour to an undercooked story.
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Director Johnny Ma's latest observes a Sichuan-opera troupe on the verge of collapse.
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All this because of a bunch of pictures of someone’s hoohaw.
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Director Pedro Costa clearly has affection for his distraught, impoverished subjects, but there's a hint of "othering".
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This is all cryptic as hell!
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Now that the workers own the means of production—a.k.a. the gig economy—the struggle is a damn sight worse.
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The blinding whiteness of capitalism and Steve Coogan’s teeth vie for dominance in this timely satire.
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In the au courant field of classy horror pics, this week’s entry comes with a pedigree.
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Ana Taylor-Joy stars in the newest but definitely not best take on the Jane Austen classic.
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Behold Dan Beirne as Canada’s weirdest ever prime minister.
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There’s only ONE scene in a bowling alley?
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The latest from Inuit filmmaker Zacharias Kunuk dramatizes the terrible failure to communicate.
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He's almost as good as Lesley Manville in this tale of a marriage facing a health crisis.
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Success aside, the Colombian-born Botero has never garnered the critical success of Gerhard Richter, Richard Serra, or David Hockney.
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David Lynch meets Chantal Akerman, with a guest appearance by a certain unnamed former movie exec.
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This gorgeously crafted 18th-century tale is also shot through with Greek mythology, with the hellbound tale of Orpheus and Eurydice front and centre.
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Here's another satisfyingly bloody epic, from the great Italian filmmaker Marco Bellocchio.
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Imagine reuniting with your absent father after 30 years and discovering that he’s Ginger Baker, but worse.
