Baz Luhrmann's take on The Great Gatsby is weirdly hard to hate

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      Starring Leonardo DiCaprio, Tobey Maguire, and Carey Mulligan. Rated PG.

      Maybe it’s a 3-D contact high from all the champagne and “nerve pill”–popping in The Great Gatsby, but Baz Luhrmann’s crazy movie is weirdly hard to hate. In fact, as you’re wondering exactly which trade agreement allows slightly bananas Australian directors to turn classic American novels into 3-D movies, you realize that in some ways this Gatsby is kind of great. And, yeah, it’s got some parties going on.

      Turns out the director who never saw a confetti cannon he didn’t like may actually get the spirit of F. Scott Fitzgerald’s novel. The Fitzgerald vibrations of 1920s jazz-and-crime culture and shiny American crassness are definitely vibrating on-screen and, thanks to that 3-D, in your face. The Long Island party scenes alone—flappers, techno, Jay-Z, camera gymnastics—are simultaneously intoxicating and a bit like getting a blow-dart of some Amazonian paralysis drug to the neck.

      Did the actors need on-set sensory-deprivation tanks to even act in this fifth Gatsby film? As Nick Carraway, narrator of the tragic tale of self-reinvented millionaire Jay Gatsby (Leonardo DiCaprio), Tobey Maguire is charmingly boring, which is possible. Playing Daisy Buchanan, Gatsby’s impossible-dream girl, Carey Mulligan empathetically manages to spoil our usual desire to smack Daisy. Joel Edgerton is excellent as Daisy’s entitled, brutish husband, Tom; Indian star Amitabh Bachchan (Gatsby’s gangster partner) is a great, strange surprise; and Elizabeth Debicki (Daisy’s confidante and superior human) deserves her own movie.

      Because somebody had to, DiCaprio gets the soul of Fitzgerald’s creation. He embodies Gatsby’s golden, hopeful boyishness, tinged with those creeping uncertainties of adulthood. And in the end (after that fateful car ride), it’s not the parties—it’s never the parties—it’s the hope in DiCaprio’s very blue eyes, the hope of love at the other end of a ringing telephone. As Jack White sings, and everything fades away: “Love is blindness/I don’t wanna see.”

      Maybe it was all just the nerve pills—but they were pretty good nerve pills.

      Watch the trailer for The Great Gatsby.

      Comments

      4 Comments

      Bah Lurghi

      May 11, 2013 at 10:01am

      Thought it was dreadful.
      Like forcing 5 boxes of fondant fancies into your eyes, whilst listening to a continuous loop of a baby crying and nails scraping on a blackboard for 2 and a half hours.
      I don't hate Baz Luhrmann for having such a wretched experience. I hate myself, because I should have known better after Moulin Rouge.

      Heather

      May 14, 2013 at 11:18pm

      It is a good representation of the novel. The soundtrack was great; Lurhman is quite talented at integrating modern music while maintaining the era whether it be the Paris of Moulin Rouge or the swinging 20s of America. But it was really the casting, most of all, that made the movie work so well. Each person played their character well and allowed us to sink into the hope, passion, crassness, destructive personalities, parties, and jazz of the story. I expected it to be more of a spectacle but it leaned into the quiet moments quite well.

      WTF?

      May 30, 2013 at 11:08pm

      Jay Z sucks. What a downer.

      bean

      Apr 29, 2014 at 3:20pm

      WTF IS THE NERVE PILL IN THIS MOVIE