Thomson’s art addresses backgrounds more than foregrounds, absence more than presence.
Photographic collection ranges from the early 20th century to the present, showing how the camera can both reveal and conceal individual identity.
The subtitle of this exhibition, 500 Years of Italian Painting From Glasgow Museums, pretty much describes its scope and origins.
Italian artist Lara Favaretto uses a fascinating array of found objects to comment on the futility of modern life
This survey of Portuguese popular art is visually engaging and culturally enriching.
Although the physical resemblance between the two places may not be that great, Girard has been able to tease out some parallels.
Angela Grossmann’s recent works continue her creative practice of improvising new imagery out of found photographs.
Humour, compassion, and social criticism braid together in Henri Robideau’s engaging photo-narratives.
Giving a new twist on the landscape photo, Colin Smith plays with camera obscura in a trailer while Christos Dikeakos explores orchards in decline.
Morrison’s new series of colour photographs is based on appropriated images of “nature” from a big, fat September issue of Vogue magazine.