It’s an exhibit simply called 7, the lucky number of Emily Carr University of Art and Design master’s of applied arts grads who are presenting in the show. But there is nothing simple about the art on view at the Charles H. Scott Gallery from Friday to next Saturday (July 22 to 30).

Consider Christopher McLeod’s The Machine of Awesome Bright Liquid Blueness, which invites you to refill your water bottle at the whimsical interactive sculpture; John Rao’s immersive light- and soundscapes; and Rafi Spivak’s four-channel video installation, Robson Corner of Shenkin (shown here), which fuses imagery of Vancouver and Tel Aviv into a fantastical exploration of immigrant identity. There is more, much more than the number 7 might indicate to explore.